GUESS THOSE “MARTIN” RERUNS AREN’T SELLING EITHER
Opening at number one, for which we should all be ashamed, is Big Momma’s House 2. “The want of money is the root of all evil” and this movie is proof of it. Why? Why does this except for someone’s want of money? Were there unanswered question from Big Momma’s House that we needed to address with a sequel? No. And how do you even have Big Momma’s House without Big Momma? The gist of the first film was that he was replacing a woman to get to her granddaughter, with whom he hooked up with at the end of the first film. How do you get Big Momma out involved in another crime in order to justify this? And if Martin Lawrence is desperate enough to do this, you know Will Smith is ducking daily phone calls over Bad Boys 3. With Hitch doing $368M worldwide (easily making good on its $70M budget and beating I, Robot which only did $347M with a $120M budget), he doesn’t need it or this short, ugly man. Notice Paul Giamatti could no longer whore himself after attaining a new degree of critical respect. It would have been an easy payday, but he’s not here. But poor Nia Long is. Sigh. And to think, she had the nerve to complain about being “Black Girlfriend” in every movie. Then what are you doing here, baby? Oh, that’s right the mysteries of a condom escaped you, so now you’re a single mom and can’t afford to turn down a paycheck, be it Third Watch or Big Momma’s House 2.
IT OFFENDS MY SENSE & SENSIBILITY
Nanny McPhee opens at number two and is this the answer to the question “What if Mary Poppins Were Ugly And Didn’t Sing?” It would take a gun to my head to make me see such a cloying, such an English, such a precious family film. While I’m sure Emma Thompson and Colin Firth had a good time making it (while in a typically dry English humor way they will rip on the kids in every interview), I’m equally sure it would be miserable of me to see, even though she wrote it.
OF COURSE SHE CHOSE POORLY; SHE’S BLONDE
Underworld: Evolution is down to number three and another thing missing from this was the collection of separate personalities. In the first you had Bill Nighy as the vampire elder, Viktor; Shane Brolly as the backstabbing Kraven, whose bad acting was an experience onto itself; Michael Sheen as Lucien, the werewolf leader and even the smaller roles like the head of the vampire security (best known from Snatch), the Renfield-like werewolf scientist, and the werewolf soldier, Raze, who was actually a co-writer of the first film (not here for the second, which would explain some of the limitations). The point is, interesting supporting characters are part of what made the first film work. You were entertained even when the two leads were not onscreen. One of the best scene stealers was Sophia Myles, as the ambitious vampire Erica. She’s not here either. What else was she doing? Tristan & Isolde. Yeah. Exactly. Granted, it was a leading role, but as the saying goes, “There are no small roles; only small actors.” She would have been better off supporting and looking the better actress compared to, Kate Beckinsale.
ONLY TWO THINGS COME OUTTA JAMES FRANCO: GOOD TV AND BAD MOVIES…AND THIS WASN’T ON TV
Speaking of the disaster that was Tristan & Isolde, James Franco is making a play to being the next Michael Pare with his choice in roles. Remember how Michael Pare should have been someone, but never rose above “C” level even at best, though he continues to work to this day (he’s now the dad of one of characters on South Beach, which must hurt like hell)? Well, James Franco is constantly working by people who love him and think he’s going to be the next big thing, but all his movies seem to suck out loud and this apparent remake of An Officer and a Gentleman seems no better. This seems to be some studio execs idea of “What if everyone in An Officer & A Gentleman were pretty and not just Richard Gere? Screw talent. We want pretty.” Which is how you have Tyrese instead of Lou Gossett Jr. and Demi Moore clone Jordana Brewster (whose mother was a freaking Sports Illustrated Swimsuit Model COVER GIRL) instead of Debra Winger (whose career was obviously allergic to the sperm of her husband). The only thing these two films have in common is that the Navy refused to be associated with either one. But what former Abercrombie & Fitch model plays the doomed idiot best friend? And is there a hideous ending theme song that will be played at white trash weddings until the end of time?
AND I GET THE SEX SCENES FROM NEXT DOOR FREE ALL THE TIME
Hoodwinked is down to number five, followed by Brokeback Mountain at number six and James Franco may be the new Kevin Bacon as his former co-star from Freaks & Geeks, Linda Cardellini, is also in this as another frustrated female love interest. She won my heart with her drunken, stoned rendition of “Push It” in Grandma’s Boy and I’m going to point out she should have been Lois Lane in the new movie until it comes out and you all agree with me! But it just drives home the conventional wisdom, that, if he’s cute, funny and you get along with him, he’s probably gay. Even if he’s a cowboy. And if I’m going to see this, someone’s gonna have to make me, because that two hour running time is totally killing me. 90 minutes and I would have long since been there… Okay, that’s a lie. The Squid & The Whale is only 80 minutes and I still haven’t see that either. Sorry, I’m just not drama bound these days. My life is too miserable to pay to see someone else’s suffering.
DUMB NAMES DO NOT A CAREER MAKE
Glory Road is down to number seven and the most successful person in this film is now Emily Deschanel, who is the title character of the Fox show, Bones, which I don’t like, but always find myself watching because there’s nothing else on against it. Also, I like her crew of geeks that she works with, who seem to have separated the hostile, sex-obsessed and dweeby aspects of my personality into three separate people. Funny, because her sister, Zooey, who was also “the sister” from Almost Famous, was supposed to be the one who made it. Much was made of her singing voice in Elf, but not much has come of it. Well, not unless you count The Hitchhiker’s Guide To The Galaxy and you really shouldn’t.
“LADIES FIRST” “U.N.I.T.Y” AND OTHER THINGS NO ONE REMEMBERS
Last Holiday is down to number eight and remember when LL Cool J was the hot young stud guy? Well, that means you’re old. Like me. It’s oddly funny that he and Queen Latifah are the stars of this film (he’s her love interest). I’m sure the shoot was filled with lots of memories about what it was like in hip-hop in the 80’s in NYC, which is pretty goddamn good time to have been in hip-hop. It was still fun and Puffy was just that asshole who got people killed at a concert. Ironically, Latifah had a very lame career. Name one song she ever did. Yeah. Exactly. She was more a personality than genuine star. In fact, the best thing she was ever a part of was one of my top hip hop songs of all time: De La Soul’s “Buddy.” And it must be the 12” Remix! It was De La Soul, The Jungle Brothers, A Tribe Call Quest, Monie Love and Latifah (not to mention the people in the video, which included people like DJ Red Alert). And this reminds me: we should add “Jennifah Taught Me” to the list of Jennifer songs and they mention Jennifer in “Buddy” too. I told you. They’ve damaged more musicians than drugs. You know what? Because I love “Buddy” so much, here are the “12 Remix” lyrics (ironically missing Latifah’s dialogue at the end):
Dove: Meany, meany, meany, meany, meany (Say what?) Meany, meany, meany, meany, meany (Say what?) Meany, meany, meany, meany, meany, meany (Oh, you gotta do that again, Dove) Meany, meany, meany, meany, meany (Say what?) Meany, meany, meany, meany, meany (Say what?) Meany, meany, meany, meany, meany, mean (OK) Hello, it's the Soul Troopin in with the Jungle patrol And this ones about the KO's, the knockouts out there Who I call my buddy Hold up (Wait a minute) Pos: Now just wait, we're gonna talk about Buddy on this plate But before we let the herd out the gate Make sure the levels are straight out the jungle (The Jungle, the Jungle, the Brothers, the Brothers) Afrika: De La Soul, from the soul Black medallions, no gold Hangin out with Pos, hangin out with Mase Buddy, buddy, buddy all in my face Mike G: For the lap, Jimbrowski must wear a cap Just in case the young girl likes to clap Ain't for the wind but before I begin I initiate the buddy with a slap Phife: Now drop the beat, for the Phifer from A Tribe Called Quest When I see Buddy, I will never half step I'll just do her Tribal style and then jet The Buddy that I like is to be sexy and nice Just good enough for the one they call Phife A brown skin Buddy with shoulder length hair Nice firm breasts and a round dairy-aire Q-Tip: Now for the next, I'm the Q-Tip from A Tribe Called Quest And when I quest for the Buddy, I don't fess For my jimmy wants nothing but the best (the best) The best (Ooh Wee!) Let's stick out the jimmy and see what we can catch (Stick 'em up, stick 'em up jimmy) Next won't be needed unless (Jenny wanna get right to the flesh) Afrika: Dancin on the dance floor Girl, it's you that I adore Step off stage, they scream for more Native Tongues got rhymes galore Mike G: Snap my fingers, make you mine If not, I'll snap a second time After that, I guarantee You will be standing next to me Afrika: Fly buddy (buddy) don't you know you make me go nutty (nutty) I'm so glad that you're not a fuddy duddy (duddy) Not too skinny and not too chubby (chubby) Soft like silly putty Miss Crabtree (Crabtree) I hope that you're not mad at me Cuz I told you that it was your buddy (buddy) That was making me ever so horny (horny) Junglelistically horny Pos: I won't lie, I love B-U-D-D-Y Cuz I never let it walk on by When it comes to me and Jenny, I seem (very serious) Like a big friend Buddy is an act that occurs on the lip When Jenny and Jimmy start shootin the gift Boy let me get shot, I won't even riff Dove: On the dial, my Buddy talks to me for a while Plug Two is the (Q-Tip: Q to her Tip) On the A-side or sometimes the flip (word up) Buddy, is the bud to my daisy tree And the luuden to my do-re-mi And the pleaser to my man Plug Three (Plug Three gets the whole caboodle) Mike G: Behind my bush, my Buddy likes the way that I push And like a champ, just knock it on out Never ever once sellin out (Well let loose the juice) My Buddy helps me to (De La my Soul) Keepin Jimmy in total control Without Buddy, I'd be on a roll Monie Love: Now as the lady I thought that Jungle and Quest and Soul would just maybe Give me the chance to say that I get crazy Due to the fact I let Buddy amaze me As a matter of fact, it pleases me in many ways I decided that it was time for Monie Love to say That when it comes to the three, you know that I don't play Cuz to me chasin Buddy is the perfect way (perfect way) To spend the day (to spend the day) Q-Tip and Queen Latifah: Oooh child, things are gettin a little easier Oooh Buddy gets easier (yeah) Oooh child, things are gettin a little easier Oooh Buddy gets easier Q-Tip: Girl, I heard you're lookin for some good times If you Quest from the Soul, here's what we'll find Whole lotta fun, lots of fun together Just like kissin cousins(Yeah, that's kinda clever) Close like bosoms, bosoms stay close If you be my Buddy, I won't toast That we're like Ethel Mertz and Lucille MacGillicuddy You can be mine and I can be your Buddy Dove: The best Buddy's in evening wear Long lovin less Tru know (he's in there) I feel sorry for those who pay a fare (a fee?) Word to the D I don't beg, I just tease my Buddy with my right leg (ha-ha) And when it's ready what's said is Buddy is best in bed (Word to the D) Afrika: Buddy buddy told us all to get into a circle Said don't bug because I won't hurt you All I really wanna do is freak you (You know what? She freaked us) Mike G: And I watched and then I checked my Swatch to see the time The Soul had formed a Buddy line And that Buddy was mine, all mine Pos: Now when Quest, Jungle and De La Soul Is at the club, our ritual unfolds Grab our bones and start swingin our hands (Then Jenny start flockin in everywhere) Cuz Jennifer just wants to stay aware Yo fellas, should we keep her aware (Mmm, Hmm...yeah!!!)
CAREER ON , CAREER OFF
The Chronicles Narnia are down to number nine with The Matador closing out top ten at number ten and I’ve said pretty much all I have to say about this, but Greg Kinnear will forever be an E! success story, despite never having a hit on his own. Yeah, he scored an very undeserved Academy Award nomination for As Good As It Gets, but since then it’s been a collection of smarmy WASPs. He’s like the A-list version of William Zabka, aka “Johnny” from The Karate Kid. Yeah, you remember him. He pretty much spent the 80’s playing that role over and over again. Ironically, he too was nominated for an Academy Award in 2004 for Best Short Film, but he probably deserved his.
MEN AT WORK
So, this weeks top ten is late because I just finished 14 straight days of working somewhere and a 60 hour work week and if you don’t like it, I suggest you get off your asses and find me a real fucking job because I’m now working full-time Saturdays and Sundays for the near future! Now, I don’t want to work hard, or wear a tie or do any overtime or do anything really boring that requires meetings and I need at the very least $50K. Now…GO!
THE KIDS IN AMERICA
So, after two weeks of trying, The Libertine finally got me out---on a Saturday night no less---for dinner with a few of her friends. The thing about hanging out with young people is trying not to giggle. And I don’t mean “with” them either. It’s when some seriously mentions “their blog” or something they posted on “My Space.” I really, really am old, because this just sounds so silly to me, but it’s as serious as say…a love note you wrote someone in study hall or your high school poetry. Yeah, see. Now you’re giggling too. Yes, I know it means I’m old that I don’t understand how the internet is such a part of their lives. And it may seem strange, given that I had a website long before a lot of this started, but honestly, cyber-relationship means "no relationship" to me. But you kids, you keep on keeping on, expressing outrage over a lack of response to your posting on myspace.com or regarding with utmost seriousness the contents of your blog, but old folks like me are incapable of caring. I mean, if I cared that much, don’t you think there’d be fewer grammatical errors here?
MEN DON’T MAKE PASSES AT ANNOYING GIRLS WHO WEAR GLASSES
Okay, the Return of Lisa Loeb continues, as now I see her “Best of” being offered on late night TV. Um, don’t you need more than one song to have a “Best of”? She had one. ONE! Basically, she’s made a career out of one song and essentially being cute in glasses, which are a serious fucking affectation when you think about it. Do they always have to be those fucking Cats Eye type? No. But my interest has increased tenfold now that I know Surrogate Sister’s ex-boyfriend is going to be in 3---count ‘em, 3----episodes as one of her dates. Bear in mind my Surrogate Sister is almost ten years my junior and met her boyfriend in college. And Lisa Loeb is how old again? 37? Yeah, this is going to be fun to watch. And I will call her after every episode to give her shit, as is my brotherly duty.
MONKEY ALWAYS FUNNY
So, I finally remembered to tape Love Monkey and filming in NYC automatically gets big points from me (as does anything with the word “monkey” in the title). In fact, they were filming a block away from me last week. And the show is pleasant enough, but then again, so was Ed, his last show, where he played essentially the same character. But Ed grew old fast with all the forced whimsy and this may suffer a similar fate as it’s also just a little too perfectly cute. And this whole thing they’re leading up to with the best friend and the hot girl he works with better be resolved once and for all by season’s end. Not to mention, the hipster cred thing also gets old fast. Oh, he still listens to vinyl. Bullshit. No one who really loves the sound quality of their music is choosing vinyl over CD. Especially when every play wears it down just a little bit more. Now, if he came home from a long day and savored the difference in vinyl over CD while having a glass of wine, then I’d believe it. And others will point it out, but being a successful nice A&R guy is like being a successful, nice lawyer. It don’t exist. And poor Lorenz Tate. A few years ago, he was going to be the next Black leading man---then they noticed he was only 5’4”. Now, he’s happy to be a token on TV. The least they could have done was made him a fellow music guy. But the show does get points for making Jason Priestley’s weight gain the subject of jokes and pointing out that Ed was, in fact, a suit, no matter how much of rebel hipster he thought he was.
KING MUTHAFUCKING GEEK, YOU BITCHES
So, I’m closing the comic book store and some of the other employees and their friends are talking about a bunch of bands that all took their name from Star Trek, but one they didn’t understand was the band “No Kill I.” Before I could stop myself, I rattled off that was what the Horta wrote in the ORIGINAL Star Trek episode, “Devil In The Dark.” To which he laughed “Whoa. Geek checked.” Someone kill me, please.
NOW THE DEATH OF LINDA LOVELACE MAKES SENSE
Chris Penn died and is this really a mystery? Fat, drunken drug user. Do we really need to call Batman, Quincy and CSI away from dinner for this? And you just know Madonna used this as an excuse to call Sean Penn. Yeah, he was technically family at one point, but her second marriage lasted longer than first, so this should should be done by now. But it ain’t. And Death continues her rampage by taking porn star Anna Malle (get it?) in a car crash. Death wants you to know she considers masturbation entertainment, so anyone who helps you do it is also fair game. So, if you enjoyed either Footloose or Gangbang Girl 14, she’s taking even the people who co-starred in it (the real star of Gangbang Girl 14 being Vanessa Chase, who was a personal favorite of mine as she looked remarkably like the French Arab Girl who vexed me for a few years).
1/23/06
MONSTERS? SURE. ZIPLESS FUCKING? I THINK NOT.
Underworld: Evolution opens at number one and this was no surprise to me considering I had to go to three theaters before I found a showing Friday night that wasn’t sold out. The studio didn’t screen this for critics and I have no idea why. It’s no great shakes from the first. But like like all sequels it suffers because what was once new is now old and what’s more they take us away from even that. Part of the fun of vampires is that they’re sexy and decadent and Underworld reflected it with its “goth chic” and a cast that was plenty easy on the eyes---so much so I was bothered there wasn’t any sex. Well, after the first half hour of this film---which literally takes begins half an hour after the end of the first---Kate Beckinsale and Scott Speedman fight off humans and vampires and then get down to business. It was too short with not nearly enough nudity in my mind (why is it English actors do full-frontal nudity in England, but suddenly get shy in Hollywood where they’re being paid more?), but at least it was there. And if you like Scott Speedman, let it be known that his shirt comes off in the first half hour and keeps coming off, so there was no pizza for him during this shoot. But while I can accept vampires and werewolves, I cannot accept the ease in which Kate Beckinsale’s skintight outfit is removed. I’m supposed to believe it’s just a corset over a rubber jumpsuit that zips on and off? Please. It takes ten men and a contraption originally designed by DaVinci to get that thing on and off. And while there is finally sex, the other lost bit of fun was the vampire/werewolf war itself. In this one it’s our heroes fighting off the father of all vampires (and his brother, the father of all werewolves). All those werewolves and vampires you saw in the first are MIA in this film, so what we have is your standard run, chase, and fight movie. This isn’t to say it still isn’t a fun movie, but not as much fun as the first. What we thankfully don’t lose, but by all rights should considering he died in the first, is Bill Nighy. Thanks to a flashback sequence we get to see him again, but this only drives home the point of how much he’s missed.
THE UNIVERSAL SIGN OF LAMENESS
Hoodwinked is down to number two after actually winning last week, and not that you needed more proof this blows, know that Andy Dick is another cast member. Yeah. Toldja.
GOD FORBID YOU GET YOUR HISTORY FROM A BOOK
Glory Road is down to number three and also in this in a supporting role is Derek Luke. Apparently, starring in Antwone Fisher did about as much for his career as starring in their first big roles did for Colin Farrell and Heath Ledger, which is to say, nothing. After playing a running back in Friday Night Lights, he’s back now playing a basketball player here. Do you think he and Josh Lucas ever sat down and talked about how they were supposed to be stars three years ago? Oh, and the story is crap. The team already had three Black players before the coach started and another team that won the championship also had Black players, so he was not the world changer they make him out to be.
ONE BIG PITY PARTY AND WE’RE ALL INVITED
Last Holiday is down to number four and yes, this is how far Timothy Hutton has fallen. He’s now the Uptight Jerk in a comedy. Who else is amongst the wreckage here? Giancarlo Esposito, who was actually cheated out of a shot when Fox showed no support for the excellent comedy, Bakersfield P.D. Alicia Witt, who was positioned to be a Hot Young Thing a few years back (lost the role of Mary Jane to Kirstin Dunst, which still annoys me), but changes so dramatically when her weight fluctuation, she was all but unrecognizable between the most successful movie of her career, Two Weeks Notice, and her most famous appearance, as the Hollywood chick who bones Christopher on The Sopranos. And remember Michael Nouri? Yeah, he’s here too.
LOOK AT ME, I’M A BIG GIRL NOW!
Brokeback Mountain takes a Golden Globes leap to number five and also in this and Hookwinked is Anne Hathaway, who definitely takes a step forward at breaking her squeaky clean image by appearing in a “controversial” indie film, she’s obviously not going to turn down a check and blow off Hoodwinked. I guess that’s why she bared her boobs and fucked a Chicano gangbanger in the straight-to-video movie, Havoc. I predict her next move will be to do an explicit sex scene in an indie film with a gay Chicano cowgirl. Maybe then you people will take her seriously!
JESUS LOVES…YOUR LACK OF IMMUNITY AND RICH FOREST LAND
Fun With Dick & Jane holds at number six, followed by Chronicles of Narnia at number seven, with another Christian film, End of the Spear opening at number eight. It’s the “uplifting” story of how the children of Christian missionaries who were killed by a tribe of Ecuadorians they were trying to convert, eventually succeeded, actually befriending the killers of their parents. It’s considered a triumph because they tribes were actually on the verge of exterminating themselves with blood feuds. Well, I hate to be cruel, but that’s Darwin at work, no? A stupid culture was wiping itself out. No more stupid culture, more room for the rest of us. But okay, let’s be good people and save them. But note the only way to stop their self-destruction was with a loss of their own religious identity. It was not even an option to save them with their culture intact. Oh, no. Convert to Christ, or die, you ignorant savage. And the introduction to outside diseases that also occurred? Well, we won’t talk about that. Deforestation and industrialization wiping you out anyway? I can’t heeeeear yoooooou!
LUCKY/BASTARD
Hostel is down to number nine, but that’s okay, it made it’s made its money and Jay Hernandez’s agent now has job security for getting him this gig, as he was doomed to supporting roles after playing Kirsten Dunst’s love interest in crazy/beautiful, where he played a football player. Next, in The Rookie, he played a baseball player and in Friday Night Lights he was also a football player with Derek Luke. Before Hostel, his last starring role was in a prequel to Carlito’s Way, which is proof of how sad minority audiences are, as we support the hell out of gangster movies to the point where that was actually made. The fact that Al Pacino was fucking playing Puerto Rican meant nothing.
HOW DARE I EXPECT FUN FROM A FILM
Finally, entering the top ten at number ten is The New World, a retelling of the Pocahontas/John Smith story by Terrence Malick, one of the true auteurs of film, having only made four films in the last thirty years. And I could care less. Seriously. He could make one a year, or never make another and I could give a shit. Just as I could give a shit about this film. The mere fact that Colin Farrell is in it means it blows. Sorry, but his track record speaks for itself. Not to mention it looks soooo serious, I doubt if it doesn’t collapse under the weight of its own self-important austerity. It’s this the attitude that keeps me out of the serious-minded film club. I’ll go to three theaters to see vampires and werewolves have sex, but I won’t lift a finger to see this.
NOW SHE’S AS OLD AS THOSE DAMN VINTAGE GLASSES
Just how fucking old is Lisa Loeb and how long can she parlay this alt-rock-pixie image she’s had since I was in my 20’s? In my mind both she and Natalie Imbruglia benefited from Winona Ryder’s then-status as the most-wanted-child-woman (who was then replaced by Alicia Silverstone, who was then replaced by Britney Spears, who has now been replaced by Lindsay Lohan). As far I’m concerned they were both Winona Ryder with a pop single. Well, nothing much happened for her after “Stay” (unless you count boning David Duchovny) so here she is on E! in her own reality show about dating in New York called Number 1 Single (get it?). To her credit, she looks good, but despite her bullshit “I’m in my 30’s” she nonetheless looks every minute of her 35+ years (but while she may complain about the weight gain, it looked good to me). But because fate is cruel, she’s head-shoulders-above her Phi Beta Kappa sister. Someone got the looks and talent and fame and someone got the brains---and a healthy case of low self-esteem that manifests itself in dressing like a slut. Then Adam Goldberg shows up and makes her look even better in comparison. Next, is her creepy-facial-haired ex-producer, ex-boyfriend and after a certain age, you’re just dumb to put so much effort in trying to show how different you are in that way. Ileana Douglas also shows up and drops some serious NYC knowledge on her: you cannot meet men downtown. Walk your dog on the upper east side is what you do. And that means something, because Ileana, while I love her, is neither young, nor conventionally attractive. If this is where she says the men are, that’s where they are. Next, Pamela Des Barre sets her up and I have to ask, aren’t you worried letting Pamela Des Barre kiss you? No? Okay then. Of course the guy is a loser, but if he were good, she’d stay in LA and we’d have no show. And it gets sad quickly, as she’s fairly open about her desperation for a husband and family, arranging for an online date and in scenes from the second episode is walking around in a thong (but it’s a thong and boots, which again, looked good to me).
MY FAVORITE PICKETT SONG: I’M IN LOVE
Wilson Pickett gone, but honestly, given how crazy he was, it’s a miracle he lasted this long. Tony Franciosa also died and the sad irony there is that is was once married to Shelly Winters.
GIVING ANGRY, SHORT GEEKS EVERYWHERE A HERO…OUTSIDE OF ME
I love Seth Green. I’ve loved him since he did his hip-hop white boy in Can’t Hardly Wait. He was the best part of that film and half a dozen others and later went on to do Robot Chicken, which totally fucking rules. Because of this and because it’s on right after Will & Grace, I watched Four Kings. Yes, it blows. First of all, you’ve got a cast of four guys…who are all ugly. What the fuck? I mean Seth is your ugly guy and maybe one other, but at 50% of the cast should be easy on the eyes, no? Not this fucking sitcom. Not funny and everyone is ugly. Seth Green manages to squeeze some life out of his lines, as the angry, paranoid buddy, but he’s the only one. Order another headstone for the NBC Thursday night graveyard. You can put this one next to The Single Guy and just give my boy his own show.
TIG OLE BITTIES (AND IF YOU DON’T UNDERSTAND, ASK A BLACK PERSON)
Okay, so I didn’t talk about The Golden Globes because I actually never watch the Golden Globes and watching awards shows is a social experience even for me. You’re supposed to be with a group of friends drinking and yelling at the screen. I need my geek girls for that (or a bunch of gay guys), because ordinary people would look at me strangely when I yelled out about Virginia Madsen “Okay, they’re big and they’re real. We get it already!” Or about Evangeline Lilly, “Yeah, it’s pretty…pretty boring.” Or about Pamela Anderson, “The only thing worse than a skank ho is a skank ho trying to be modest. Take a lesson from Melanie Griffith who looked like a skank ho, complete with her skanky daughter next to her, who was obviously pissed at not being allowed to dole out blowjobs backstage like she’d planned.” And only women (and gay men) would howl in pain with me at the sight of Drew Barrymore, who obviously has no friends, because no one with the slightest affection for her would have let her go out like that. Even once at the awards show, a real friend would have dragged her into the bathroom and called out on the cell for a bra to be delivered. I mean that was just nasty. That’s the kind of shit you’re only supposed to subjected to if you’re married to her. And she blew it on SNL by flubbing her lines. Comedy is played straight, dear.
OF COURSE MY DREAM JOB IS TO BE A PILLOW RESTRAINT
I don’t say much about my time in the video store, because oddly enough, it’s what’s keeping me sane in relation to how much I’m hating real estate at the moment. I get paid to deal with something I actually like, but I don’t have to do it so much that I start hating it too. But I don’t get my comics the day they come out any longer. That part of me has died. I just don’t care that much any longer. I guess it’s like being in porn. When you get paid to bone, chasing tail loses its urgency. And while I have mentioned the odd trend of the actually attractive geek girls who come in, I’ve noticed something else about them. If they’re gothy geek girls, or alt-rock chick geek girls, they’re usually with a boyfriend. However, if they’re normal-looking, girl-next-door types, they are alone---and go into the porno comic section without hesitation or shame. For some reason they scare me most of all, because it means beneath that calm exterior is someone as fucked up as any dipstick that doesn’t understand you can’t wear a Batman t-shirt to a formal event. But something else I’ve noticed is, while geek males may come in all races and creeds, their girlfriends are 90% Asian. That part, however, just makes me laugh my ass off.
1/15/06
SPOILER ALERT #1: I talk about Match Point this week and reveal the ending---which is already revealed in the trailer and commercials. So skip it if you don’t want to know. And let us begin…
SADLY OUR COACH WAS NOT A DIVORCED SINGLE FATHER LOOKING FOR REDEMPTION
Glory Road opens at number one and let’s face it: there’s an against-all-odds story for every team in every high school or college in the nation. Hell, even with my limited athletic background there’s one. When I played, it was in the city league where your parents pay, so you have to have to be on a team. The guys who were really good, played on a different team in a different group. One year, the men who ran it all decided to put together a team where the guys who were really good would play with the rest of us schlubs, essentially creating a team of ringers. I was on a team like the rest, thrown together at random---and we won the whole damn thing. See? Now, does that deserve a movie? No. Okay, maybe the first all-Black team to play in the NCAA Finals does, but it’s a dubious honor if you’re Black, because it also means a stereotype was born. Suddenly, every coach in college basketball is thinking, “I need some negroes too!” And they weren’t wrong. But this is an attempted career saving for Josh Lucas, who hasn’t quite blown up after Sweet Home Alabama like many expected him to. Even he admits it’s been a little disappointing. Well, start choosing better scripts than Stealth, Josh, which was literally Short Circuit III: We’re In the Army! Or anything with Jennifer Lopez, as the The White Guy Love Interest (where she joins Matthew McConughey, Ralph Finnes, Michael Vartan and Ben Affleck, none of whom are currently drowning in career success). An inspiring true story now joins the family film and horror film as short-cuts to success. The movie is more the star than you. If it fails, it’s not your fault. If it succeeds, you benefit. This is why everyone does it at one point. Except Tom Cruise. And Tom Hanks.
FUNNY HOW NO ONE WANTS TO JUST GET LAID BEFORE THEY DIE
Last Holiday opens at number two and this whole “I think I’m dying” comedy will never be better when Jerry Lewis and Dean Martin did it in Money From Home and even then it was a scam (and a remake). Wouldn’t it be a twist if they were really dying? But then you open the door to maudlin death scenes and I’d rather have generic comedy than generic drama. This is too bland to inspire even the most modest of resentment. It’s like that cat or dog that rolls over onto it’s back when it thinks you’re mad it---and how the hell does that work in nature? It must be like the meow of a cat, which they do only for humans and doesn’t really occur in the wild. Because nature has no room for creatures that surrender. Where was I? Oh, yeah, Queen Latifah in another “take the money and starring role and run” movie. Like so many others, rather than wait and try and make the best movies possible, they use their moment of fame to take the biggest roles with the biggest money as quickly as they can, because it will be over in five minutes. On one hand, I totally understand, but if money is what you want, then what you want is a nice TV show that brings in the cash every week and into the infinity of syndication. I’d think Latifah would know that. Then again, she was on Living Single, which isn’t even being run on BET. And they reran Robin Given’s lawyer show, Sparks, like it was fucking Friends. You’d think that show had twenty seasons of episode instead of half of one the way they ran it.
FOR ALL YOU PUDDY FANS…
Hoodwinked opens at number three and remember our discussion on the crap level of most animated films? Well this is kind of the poster child for them all. It looks horrible. This derivative of Shrek (which was no great shakes to begin with) is trying so desperately for hip irreverence, you can practically feel the flop sweat coming off the screen. And what’s the biggest sign of crap animated product? Needing to sell even the Non-A-List stars (Glenn Close, I love you, but it’s been 15 years since you even came close to an “A”). Even before Pixar, Disney never, ever sold the stars. They still don’t. But this crap not only tells you who the stars are, but now shows you in the commercial, going for those morons who can’t even picture someone by name alone. And who the fuck gets up to see a film because of Jim Belushi anyway? “Oh, I wasn’t going to see that crappy cartoon, but now that I know Jim Belushi is doing the voice of a minor character…honey, start the truck.”
MONEY TALKS, FAITH IN ONE’S PRODUCT WALKS
Chronicles of Narnia is down to number four and the sequel has only now been greenlit and it shows you the difference in confidence between this guy and Peter Jackson, who got a full commitment for all three Rings films. Not with Disney, baby. They want results before anything. This is especially dumb considering children change physically every thirty freaking days. Hell, they probably weren’t the same by the time this film ended, much less when the next one starts at whenever time. Unless the books are about them aging like Harry Potter (which they might; I’ll die before reading even one), this is going to be a problem.
MARK THE DATE ON YOUR CALENDARS…YOU SAD BASTARDS
Hostel is down to five and they’ve already got the sequel in the pipe for release this time next year for all you people who didn’t get enough torture room sequences this time around (though I’m sure there’s an unrated DVD also coming, you sick fucks). Just as Saw II upped the ante, expect twice as many people to be tortured next time around in new and more explicit ways. Probably some women as well, because some idiot somewhere decides it’s not fair to leave them out, despite this being one of the few films where they aren’t slaughtered.
THIS CHANGES NOTHING; THEY ALL REMAIN EVIL
Fun With Dick & Jane is down to number six and how happy is Tea Leoni that Cameron Diaz dropped out of this film so she can maintain the illusion she still has a career? Going blonde and getting a suspicious breast enhancement (pregnancy benefits or Dr. 90210?) will ultimately be for naught. Sadly, it’s probably only in scrambling for a replacement last minute that they were forced to go with an age appropriate wife for Jim Carrey, rather than Cameron Diaz who was too young for him the first time they teamed up back in The Mask (when she was curvy and not so skanky looking). And while I’m loathe to admit it, I liked Tea Leoni back when she was a redhead on Flying Blind, a show few remember but I will buy on DVD the moment it comes out. I’ll put it right next to Ned & Stacey on my shelf.
RANKS RIGHT UP THERE WITH RICHARD GERE AS LANCELOT
King Kong is down to number seven followed by Tristan & Isolde which opens at number eight and it took all I had not to see this, because the legend of Tristan & Isolde has been incorporated into the Arthurian myths like many other Celtic legends (Gwain once stood on his own as well) and I’m a bit of an Arthur whore. I was willing to overlook the entire “WB-ness” of it all (I like James Franco, but who are we kidding?), but could not overcome the two-hour running time. I’m sorry, but I find it hard seeing good movies that are two hours long, much less something I know beyond a doubt will be crap. In case you don’t know, Tristan is a knight who goes to retrieve a bride for his uncle and virtual father, King Mark. Isolde has a love potion to help her in the marriage, but it’s accidentally ingested along the way and they become lovers. Because he loves him, Mark only has Tristan exiled and Tristan then marries another Isolde (of the White Hands). When Tristan is wounded, the first Isolde is summoned to help heal him. If she’s coming, the ship will bear white sails. If not, black sails. Because she’s jealous of her namesake rival, Isolde of the White Hands, tells Tristan the sails are black, so he gives up and dies. The sails were actually white and after learning Tristan is dead, Isolde also dies of despair. King Mark then has them buried side by side (of course, in Malory’s harsh Christian version of the legend, Mark murders Tristan by stabbing him in the back). Needless to say, with a plot like that, it’s a pretty popular opera. Since I sincerely doubt the studios would greenlight a story like that, I have the sneaking suspicion the ending was changed for the 16-year-old girls they’re obviously trying to lure in and had horrific flashbacks to Sean Connery as King Arthur being shot with a crossbow by Ben Cross and then turning over Guinevere and the kingdom to Lancelot (for that alone Julia Ormand deserved to have her Hollywood career fail). Shudder. This is going to have to wait until cable next year, where I may oddly enjoy it on a Saturday afternoon.
LOVE IS BLIND, BUT IT CAN OBVIOUSLY COUNT
Brokeback Mountain holds at number nine and Michele Williams plays the wife of Heath Ledger and is now his real-life baby mama. This means Naomi Watts and Jennifer Anniston should have coffee one day, except that it was Naomi who was openly jonesing for a child---only to break up with Ledger and see him go knock up girl who while more age appropriate for him (unlike Brad Pitt, who wasn’t having any aging ovaries around his aging sperm), was hardly as attractive. So it must be love, right? And now they live in Brooklyn, ‘cause indie money---even critically praised indie---don’t get you Manhattan.
THE END…THANK GOD
Finally, Cheaper By The Dozen 2 closes out the top ten at number ten.
SPOILER ALERT #2: THIS IS WHEN I TALK ABOUT MATCH POINT
Ever since Crimes & Misdemeanors was released, Woody Allen has been talking about how it would be a better movie if he took out the half he was in and just left us with that depressing, tragic Martin Landau story. Well, he’s finally done it in Match Point---which means you know how it ends. Hell, if you saw the trailer you know how it ends. I hate to say it, but Woody Allen continues to show his actual ignorance with this belief that somehow, drama is superior to comedy. Anyone can tell you a sad or depressing story; only rare individuals can tell you same story and make you laugh. Not to mention who leads a humorless life? Cops see the worst shit in the world but have the best sense of humor. Only someone who’s never really seen the dark side of life clings to this conceit that humor is a failing. You know, someone who’s never had a real job and has led essentially a charmed professional life held in such high esteem that even boning your girlfriend’s daughter doesn’t damage it. This is not to say Match Point is a bad movie. It isn’t. It’s a decent movie, but only great in comparison to the crap Woody Allen has been churning out since the late 80’s. Unlike most, it ended for me with Hannah & Her Sisters, as the next film after was Radio Days, which was the childhood scene of Annie Hall expanded to a full length. That was our first clue he was creatively out of gas. Even in this film, the characters are hardly multi-dimensional. The rich English live like a fantasy of rich, English life. Country clubs, mansions in the country, going to the opera or art galleries, chauffeured everywhere. And there’s foreshadowing with a mallet as we see Jonathan Rhys-Meyers reading Crime & Punishment in bed at the beginning of the movie. Sigh. Unlike Martin Landau, who started off in a position of privilege in Crimes & Misdemeanors, Jonathan Rhys-Meyers starts off as a former tennis pro looking for stability teaching at an elite country club. From there he works his way into the bosom of a very rich family who seem happy to have him, from the son be begins teaching (Matthew Goode, who is bright spot in the film, rich good-looking and enjoying the hell out of his life to the point where I half expected Matt Damon to show up and kill him) to the daughter he eventually marries to the father who gives him a job in the company. The fly in his ointment is the brother’s fiancée, whom he can’t resist. She’s played by Scarlett Johansson, who is finally looking like the hottie people have been insisting she’s been for years (big boobs and full lips do that for you). If you want a sign just how far this is from originality, know that they have their first tryst in field. In the rain. Yeah, there’s no new ground being broken here unless you count the sight of people actually fucking in a Woody Allen film (but if you think you’re gonna see Scarlett’s boobs, hang on to that dream). A year later, after he’s married the sister and the brother has broken up with her, they begin the full-blown affair she declined to enter into initially. This is when things get tense, as she wants more from him. And this also when the misogyny Woody Allen has been perfecting since he was traumatized by Mia Farrow’s anger over him fucking her daughter rears its ugly head. Oh, it’s there beforehand in small doses. The mother in the rich family is a snobbish bitch and the daughter is weak and a bit needy, but with Scarlett Johansson, Woody Allen reasserts his belief that women who aren’t happy with just having your dick in them are shrewish harpies whose only fate is to die. Their sheer annoyance makes them more deserving of punishment than anything you might have done. Then again, Woody Allen suffered no punishment for his “crime” so his point of view may be well-earned (and when was the last time you saw Mia Farrow?). And I may owe Joaquin Phoenix an apology for his English accent in Gladiator, as Jonathan Rhys-Meyers not only looks but sounds like him (if Phoenix weren’t fugly as hell). But Woody Allen get no big points from me for this other than I may actually see his next film set in England.
DEATH UPPING HER GAME FOR THE ‘06
That Death has claimed Shelly Winters says one thing to me: Mickey Rooney watch out!
WHAT YOU WANTED TO BE VS. WHAT YOU REALLY ARE
Okay, so I saw Justin Diamond and Sam Shepard in the street. No, not together. And if that doesn’t seen an odd juxtaposition, maybe I need to remind you that Justin Diamond is “Skreech” from Saved By The Bell. Yeah, now you see the humor in it. But Sam Shepard…once he was everything I wanted to be: a writer and a man. Sadly I failed miserably at both, but was oddly successful at being Screech. Yes, it’s realizations like this that keep my local liquor store in business.
1/9/06
AS IF WE NEEDED ANOTHER REASON NOT TO GO TO EUROPE
I think it’s safe to say there’s no way in hell I’ll ever see Hostel, which opens at number one as a sad harbinger to the coming year. This whole new nasty, gritty wave of horror films that’s going back to the 70’s trend (which will undoubtedly continue thanks to success like this) will never see my dollar. And I don’t get it. What’s the appeal of watching people get tortured and maimed? I can see the thrills possible from people being hunted, because you don’t know what’s going to happen next (though you do). What is the thrill in someone having their body parts cut off while they scream in agony? This isn’t a horror film, it’s a snuff film---which is a myth by the way, as in the history of law enforcement, no one has ever, ever found one, much less arrested or prosecuted someone for it. And it would be an open and shut case. I mean YOU FUCKING FILMED IT. One hysterical bit on Taxi Cab Confessions was a hooker talking about what it was like when she made a “snuff film” so yes, Virginia, they are all about as real as this movie.
TIS PITY HE’S A WHORE NOW
Down to number two is Chronicles of Narnia, followed at number three by King Kong, and so much for Adrian Brody’s indie cred. Guess his Oscar needed a nice cabinet in which to sit. And you can’t have that cabinet in a shithole, so it needed a nice home to go around that. And when you take it show your friends it can’t be in a fucking Miata, so that means you need Lexus money. And when your mouth becomes dry from talking about it, you can’t wet it with simple tap water…
AND HE’S GOT TO LEND MONEY TO HIS BROTHERS WHO AREN’T WORKING
Fun With Dick & Jane is down to number four and Alec Baldwin is probably going to win his custody case against Kim Basinger despite being batshit crazy. Why? Well, because he can obviously afford better lawyers, given he’s the hardest working man in fucking show business. Kim’s got the Oscar, but that’s not paying the way a five-episode stint on Will & Grace does (where he was the funniest person on the show hands down).
HER A VANITY FAIR COVER, YOU THE FIFTH LEAD IN A BAD STEVE MARTIN MOVIE…BEHIND CARMEN ELECTRA
Cheaper By the Dozen is down to number five and now that Lindsay Lohan has—gasp---admitted that drugs and bulimia were behind her weight loss, how long before Hilary Duff admits the same, especially now that she’s essentially unrecognizable between the weight loss and the dental work? Maybe after her flash-in-the-pan boyfriend finds out that the only harder than a hit album is a hit follow up with his Green Day rip-off band and dumps her to seek consolation in slutty groupies---or her still-less-attractive sister.
WHICH PUTS NEW PERSPECTIVE ON THEIR LOVE OF CHINESE FOOD
Munich is actually up to number six, followed by Memoirs of a Geisha holding at number seven and Steven Spielberg was supposed to direct this as well, but ultimately wound up as just a producer, meaning it would have been pretty with no insight to the women involved no matter what. Actually, they may have been prettier, because no one loves Asian women more than some geeky Jewish guy. Nobody. And I’ve met the angry Jewish women to prove it.
TIS PITY HE’S A WHORE II
Rumor Has It is down to number eight and Mark Ruffalo also continues to whore himself away from his indie roots. He thought 13 To 30 was a bad idea, but agreed to this afterwards? Just admit you’re a whore already. You’re the first choice for women who want an attractive leading man who won’t overshadow them. Meg Ryan, Reese Witherspoon, Gwyneth Paltrow, Jennifer Garner and now Jennifer Anniston have all chosen for just that reason, because if anyone had casting approval, it was them and not you. Just admit that brain tumor you had left you with a new appreciation on all the nice things money can buy and you wanted a few of them. Indie cred does not get you thousand thread count Egyptian cotton sheets.
BUT THE WINNER WILL ALWAYS BE “SPANKENSTEIN”
Brokeback Mountain comes back to the top ten at number nine and sometimes Hollywood all-but writes the resulting rip-off porn titles themselves. Just as Splendor in Grass gave way to Splendor in the Ass and Joy Luck Club lead to Joy Fuck Club and Joy Suck Club, so look for “Bareback” Mountain and “Bareback Mountin’” in the gay porn section of your local video store any day now (in mine the gay porn section is now three times the size of the straight porn section, explaining just how three stores that sell nothing but useless, pretty shit can survive within a three block radius of one another).
NOT SUCH A PITY HE’S A WHORE
The Family Stone closes out the top ten at number then this week and speaking of actors chosen by women who don’t want to be overshadowed, Mark Ruffalo’s main competition is Dermott Mulroney (who plays this role in real life to his wife, Catherine Keener), who has on his resume Julia Roberts, Debra Messing, Linda Fiorentino, Holly Hunter, Winona Ryder and now Sarah Jessica Parker. What’s odd is that neither man is conventionally good looking, but has a strong female fan base, especially amongst my geek girls.
GRANDMA’S HANDS
Surprisingly not breaking the top ten is Grandma’s Boy and this had me the moment in the trailer where the guy says, “Don’t judge me, monkey.” Monkeys are always funny. If you can’t make the inclusion of a monkey funny, then you’re not funny. This is from Adam Sandler’s production company because the writer/star, Allan Covert, became buddies with Adam Sandler while at NYU. Yes, when I was there. No, I didn’t know any of them. All my friends were beautiful, sexually voracious women who decided I would just be their friend. Yeah, that’s soooo much better than money and now fame. Thanks, ladies. He’s been in every single Adam Sandler film and has been an “associate producer” on a few (and we know what that means). But here he joins the slob comedy big leagues by being the star of his own vehicle. And he’s a lot less annoying than Adam Sandler. But I have to give him credit, unlike a lot of writer/stars, he didn’t make his character some irresistible sex god. He’s a 35-year-old video game tester, where the average age is more like 23. At a wedding he sits at the kids table and they’re happy to have him. His character is openly a bit of a loser and we find out the level of his shamelessness when he masturbates to a ”modified” Lara Croft doll---only to be interrupted at a key moment by a friend’s mother, on whom he then uncontrollably ejaculates. This becomes a running gag and lends to him being called “Gray Bush” (which he accepts as a shameless bastard). Yes, it’s crude and tasteless and derivative of both Fast Times At Ridgemont High and There’s Something About Mary, but still funny. Pretentious-pseudo intellectual I may be at times, but I’ve got nothing against a good crude “R” rated comedy. In fact, I’ve been longing for their return and thanks to Vince Vaughn & Co., they are back. What’s funny is because people my age are making them ---because we remember the glory days of Caddyshack, Stripes and Animal House---the main characters aren’t young kids partying in college, but middle-aged men who are pretty much slackers and fuck-ups. Ah. It’s like they’re making them just for me. And while this is obviously failing at the box office (half the movies in the top ten had either an equal number of theaters or less), it’ll do fine on home video like Harold & Kumar Go To White Castle, which ultimately did so well, there’s a sequel planned: Harold & Kumar Go To Amsterdam. Because of this, for better or worse, Linda Cardellini (who should have gotten the job as Lois Lane over Kate Bosworth) will be remembered less for her role on “e.r.” and more for her role here, being drunk and stoned and doing Salt & Pepa’s “Push It.” She even does the “S-s-s-salt and Pepa’s here/S-s-s-salt and Pepa’s here…” at the beginning. It’s almost as entertaining as that Nextel Commerical, also with “Push It.” And the best part? The dude holding the box that’s bigger than he is.
ALL OF YOU WHO WANTED ME TO GO ON QUEER EYE CAN KISS MY ASS
So, I’m going through an obvious nesting phase at the beginning of ’06. Not only did I buy a new down comforter (I kept the Ralph Lauren one as an extra), but I also bought two sets of 600-thread-count Egyptian cotton sheets (just because I’m sleeping alone doesn’t mean it still can’t feel good). Yes, they were all eBay purchases, so they total up to about the cost of one alone at retail. I also replaced our old iron with an new one (thank you 20% bed bath & beyond coupon out of In Style magazine) and I decided to replace the lamp next to my bed. See, I’ve had the same since I graduated in 1988. A dopey little desk lamp that I probably bought out of the then-still-in-existence Woolworth’s. I wanted a floor lamp this time and while looking for a new speaker for my dead guitar amp down at Guitar Center on 14th Street, but before I went into the nearby Popeye’s (starting ’06 off right by getting even fatter), I wandered into a lamp store to look for something cheap. I didn’t find it, but I got new idea for a nice Asian design, because I was not going get that cheap-ass torch style lamp for $25 that every fucking person buys that you see in the garbage when they move. Of course I then turned to eBay to find it and there found an even better one from some guy in Brooklyn. Unfortunately, he advertised it as an Ikea lamp. Why the fuck would you do that? Don’t you know people can just go to Ikea? Not to mention, with shipping it would have been $35 bucks for just the lamp, while if you took the free shuttle to Ikea you could get the same lamp comes with two smaller versions for desks for $40. I’ve got no place to put them both, but there was whole phallic symbolism implied, so not to have them felt like…castration. So, I was off to Elizabeth, NJ to buy myself a lamp. I took the 1:30 shuttle, but it was still so full some people had to stand. Strangely, a lot of the women on this bus were very attractive. I don’t know what that means, but it continued even in the Ikea store itself. I’m expecting fat Jersey housewives in tracksuits and it’s hotties everywhere. Sorry, but it’s not like that in bed, bath & beyond. I know. I was there drunk on Friday night buying my new iron. In any case, I immediately got lost within minutes of entering the store. It’s an odd layout. The main shopping floor is not accessible through the main entrance. So much for the superior minds of the Swiss. Good chocolate, good watches, good place to hide your money and yourself during a war, but shit when it comes to making a department store. I found it eventually and aside from the lamp, I got two new pillows and doormats and it took all the self-control I had not to browse for more because it’s so freaking cheap. Then back on the bus and home. Took less than three hours. And yes, it looks wonderful. Changes the whole feel of the room, in fact. A whole layer of sadness and desperation has been lifted…leaving only another 38 to go.
THE LOVE THAT DARE NOT SPEAKS ITS NAME…FOR FEAR OF BEING SMACKED
Taye Diggs is now on Will & Grace as a love interest for Will. What makes this funny is that there have been jokes about how gay men are hot for him on the show. But it’s a troubling thing for me. On one hand I’m obviously glad to see him here on one my favorite shows, but I’d prefer he’d hook up with Debra Messing. It’s odd he’s not considering how they’ve been pretty honest about a tendency of New York Jewish women to hook up with bruthas---like say, Taye Diggs and his wife, Idina Menzel, from Long Island. And aside from giving me two of my favorite things together, it can make up for her her chemistry-free hook-up with Gregory Hines. Also, I’m having very…confusing emotions and feelings about all this. You know, the kind of confusing emotion that makes a frat boy beat up the cute male art student for no apparent reason. And once I beat Taye Diggs up, all these feelings will go away because it’s not me. It’s him. No, not me at all. Pretty muthafucka.
THIS DEATH IS A HURTIN’ THANG
Lou Rawls died but I knew that was coming given he had brain and lung cancer. Apparently Death’s got a hard-on for deep voiced bruthas. Took Barry White last year and now Lou. Watch your back, Issac Hayes.
1/2/06
THE SPANISH INQUISITION,
SLAVE TRADE, OPIUM WARS…CAN YOU SMELL THE CHIVALRY?
The Chronicles of Narnia
finally hits number one but let’s not all go out and buy Porsches yet. As the people behind King Kong, now at number two, can tell you, when you spent $200M+ making a movie and at least another $30-50M promoting it, being at number one and even making $400M worldwide is still a bit of a disappointment. Remember the Don Simpson Rule, kids: profit = three times cost, which means both of these need to make at least $600M and it looks unlikely that’s going to happen now that the holiday season is winding down and people are going to start closing wallets. Obviously, once home video is brought into the mix, they will turn a profit, but that’s supposed to be the gravy, not the goose. Personally, I want them both to fail a little. King Kong because it’s simply not that great a movie because Peter Jackson was allowed to utterly indulge himself in an homage to his favorite movie and didn’t bother to make a new one. That’s bullshit. If I want to see jerking off onscreen I’ll go see an art film. And I want Chronicles of Narnia to fail because I cannot stand religious promotion in movies. Even moreso the people still running his estate are freaks that think this movie will save the world. My favorite was the idiot who said, “This movie will bring back to the forefront of people’s minds the great values the things the 20th Century threw away. Chivalry. Honor. Duty. Commitment. Personal courage.” Yeah,
because there was so much fucking chivalry and honor in the world right
up until 1900. Dumbass. This is why the heretical Harry Potter could buy
your fucking movie ten times over.
TAKE THIS JOB AND SHOVE
IT – STARRING
ORLANDO BLOOM AND KATE BOSWORTH
Fun With Dick & Jane is down to number three and when did we decide it was okay even to remake mediocre movies? First there’s Flight of the Phoenix and Amityville Horror and now this minor entry from the late 70’s. I’m looking forward to when they remake Who Is Killing The Great Chefs of Europe with Jim Carrey and Liz Hurley. Honestly, the original was such a minor blip on the radar I can’t believe anyone remembered it enough to remake it. I have a greater memory of How To Beat The High Co$t of Living, yet another “inflation-justifies-grand-theft” movie from the late 70’s (though released in 1980) and I can’t believe they haven’t remade that yet with Cameron Diaz, Sandra Bullock and Tina Fey. Actually, if they let Tina Fey re-write it, they might get my dollar, but not this crap. Honestly, I’ve
never found Jim Carrey all that funny and his comedies have left me cold.
His best work was Eternal Sunshine of the Spotless Mind, for which he
was karmically overlooked by The Academy after his shameless Oscar-begging
in shit like The Truman Show, Man On the Moon and The Majestic.
CARMEN ELECTRA’S YOGA
STRIPPING FOR BICEPS
Cheaper By The Dozen
2 holds at number four and Steve Martin isn’t even pretending to care any longer. He’s a whore, but he’s a rich one, so fuck you if you remember when he was actually funny. This movie is so worthless, it’s a step down for Eugene Levy who just made The Man and that Olsen Twins movie. That’s how low it is. The only person for whom it’s
a step up is Carmen Electra, who is learning what Steve Martin, Eugene
Levy, Bonnie Hunt, Hilary Duff and Tom Welling already knew: you want
cheap, easy success? Family film. Even if you look like a porn star and
she does. And she needs it. Her husband was reduced to a reality show
and how many stripping videos can she make?
WHERE HAVE YOU GONE TALENTED
FUNNY WRITER/A NATION TURNS ITS LONELY EYES TO YOU…
Rumor Has It is actually
up to number five and this is based on the writer’s rumored belief
that his own family was the basis of The Graduate. Now, a talented
writer could have had a lot of fun with this idea, but apparently
not this guy, especially with Rob Reiner who has hit rock bottom
and started tunneling. I think we can officially blame this for killing
Anne Bancroft earlier this year. The weird thing is, it looks a little
like the rumored Graduate sequel that was bouncing around between
Buck Henry and Dustin Hoffman. Their basic plot was Benjamin’s son
comes home with a girlfriend and Benjamin starts sleeping with her,
effectively becoming “Mrs. Robinson.” BUT currently living with them
is his mother-in-law, who is there because she’s suffered a recent
stroke. The problem with that idea is that there’s no what Benjamin
stayed with Elaine after they ran away on the bus. Just like the
plot of this movie, she probably came right back and married the
guy anyway. There’s so much that could have been done with the idea
of reality vs. movie but apparently none of it was done given the
vicious reviews. I was actually still willing to still see it, because
Kevin Costner always shines when he’s playing the aging stud and
always has (even in Bull Durham he was an over-the-hill ball player).
But I was home and my sister was simply not having it. But it’ll
probably be a lot better watched in 20-minute increments on cable in a
year (like Le Divorce was).
STEVEN SPIELBERG PLACED IT ON ME, I JUST KNOW IT.
The Family Stone holds
at number six and this both my sisters wanted to see, but I vetoed
that! Besides, now that I think about it the Christmas tradition
of us seeing a big, bad Hollywood movie was broken last year when
we all went to see Dodgeball, which was actually enjoyable. Before
that, I swear it was guaranteed that no matter what we saw, it would
be bad. It was like a curse and I’ve no
wish to start it up again.
EVERYTHING COMES BACK TO COMIC BOOKS.
Memoirs of a Geisha is
down to number seven and at least the men are Japanese in this film.
First and foremost is Ken Wantanabe, who was so good in The Last
Samurai you almost forgot his character was completely and utterly
wrong. He’s the love interest for Zhang Ziyi, but I simply couldn’t get over the fact he met her WHEN
SHE WAS A FUCKING CHILD! Ew. No amount of romance is capable of making me overlook that. Even in the comic books when they tried to hook up an adult Dick Grayson with Bruce Wayne’s daughter by Catwoman (on Earth 2), The Huntress, I was simply not going for it. And it didn’t help in the scene where Dick Grayson declines to see her change into her costume because he’d diapered her as a baby. Double ew. Also in this is my man Cary-Hiroyuki Tagawa, who is second only to Al Leong as “The Asian Bad Guy” in Hollywood movies. I’d love to say his most famous role was as Eddie in Rising Sun, but truthfully, it was as Shang Tsun in Mortal Kombat (“Your soul is mine!”).
SHAMELESSNESS IS THE KEY
The Ringer is down to
number eight and The Farrelly Brothers are going to spend the rest
of their lives trying to live up to There’s Something About Mary. It was the only time their tasteless humor converged with actual humor. Before and after, it’s been nothing but crap. Granted, this time they’re only onboard as producers, but we know whose film this really is. What I think is killing them is the “sweet” center at the heart of their work. Well you can’t have your cake and eat it too. Mel Brooks didn’t pollute his work that way. At the end of the day his goal was to be funny, not be funny and win “karma points” for being nice to retards and cripples, which is what the Farrelly Brothers seem forever trying to be doing. They were probably at their most vicious in There’s
Something About Mary, which is why it remains their best film.
IN CASE YOU DIDN’T KNOW,
TERRORISM IS BAD
Harry Potter and The
Goblet of Fire is down to number nine, followed by Munich, Steven
Spielberg’s second admission that he is, in fact, a Jew. If you know anything about Hollywood, you know the most middle of the road WASPy work was done by Jews from Europe trying to fit in. Not that anyone should be obligated to constantly make movies about their ethnic make-up, but it’s pretty obvious when someone is avoiding it and Steven Spielberg made movies for thirty years before touching on something that was even remotely ethnic and that was Schindler’s List---which made some of us wish he’d never started, given how fucking heavy-handed he is. This is why I have no interest in seeing Munich. At the end of the day, the audience is full of morons and Stevie Spielberg has to spoon-feed it to you with Schindler and Private Ryan breaking down, on the off-chance that someone has spent the last two hours in the theater looking at the back wall with earplugs. This may be different, but I don’t
have three hours of my life to spare to find out.
WINNER OF THE TRUMAN CAPOTE LOOK-A-LIKE CONTEST
So, I’m finally catching up on my movies and I started with Capote, a nicely done, lean and efficient telling of the work that both made and ultimately destroyed Truman Capote, In Cold Blood. You can pretty much give Phillip Seymour Hoffman his Oscar now. He not only nails Truman Capote, but it also has the advantage of having a Hollywood “in” bio since many of the old guard who still vote knew Capote and probably saw this, as opposed to seeing Brokeback Mountain or even Walk The Line. Not to mention, many of them still hate his guts and would love to see a film where his uglier aspects were put on full display so accurately immortalized with an Oscar win. It’s seriously a “warts-and-all” depiction of a man who could be very cold and very selfish. Because I got my English degree from NYU by sleeping with my professors, I never read “In Cold Blood” so I have no idea how much of what going on in this movie is true and how much is fiction, but what is true is that Harper Lee, the author of To Kill A Mockingbird was a childhood friend of Capote’s in one of those odd synchronicities of talent. She’s played in this movie by my fave, Catherine Keener (though her Alabama accent sucks). In fact, it’s indie heaven, with other solid, supporting performances by Chris Cooper and Bruce Greenwood. Movies like this also give you a very rose-colored view of the 50’s. It always seems to be the greatest time possible to have been a bohemian. Think about it. New York in the 50’s was at an artistic zenith. Broadway, television, photography, music…some of the masters of every discipline were alive and practicing their craft on a regular basis. You could see Marlon Brando or the work of Jerome Robbins on Broadway. Hear almost any member of the pantheon of jazz from Miles Davis to Duke Ellington at any given moment at a club. Hear readings from everyone from Norman Mailer to Jack Kerouac and watch live TV where Rod Serling, Paddy Chayefsky, Woody Allen and Mel Brooks were writers. The legend of downtown was solidified here as struggling artists could still afford to live in the city (though Capote was oddly living in Brooklyn). In the film, Capote speaks of afternoons with Marilyn (Monroe) and lunches with James (Baldwin) and holds court at parties where everyone smokes and drinks, the men in jackets and ties and women all in dresses and heels. Of course the reality was a bit darker. Even in NYC, it was the red scare, segregation was in full effect and women also had to know their place (in his book, New York in the 50’s Dan Wakefield romanticizes it something fierce but still finds time to point out that young women had to travel out of state to find certain doctors to perform the then illegal abortions). And in the movie you’d
think no one had a problem with Truman Capote being openly gay, living
with his longtime companion.
HATE TO TELL YOU, BUT JAMES BOND WAS AN ASSASSIN TOO
Not breaking the top
ten because it only received an Oscar-bait limited release is Matador,
starring Pierce Brosnan as an assassin having a nervous breakdown
who befriends Greg Kinnear. Well, unlike Phillip Seymour Hoffman,
Pierce Bronsan’s night will remain free, though he deservedly got a Golden Globe Comedy nomination for this. As much as he may dislike the cool James Bond role that made him famous, Bronsan has a rather flamboyant acting style and if not controlled, he overdoes it, so Bond was perfect for him because it required him to rein it in. Here, he’s allowed to cut loose as a foul-mouthed, drunken, whoremongering killer and he’s pretty good at it. Unfortunately the script lets him down in a common occurrence of a black comedy’s refusal to be dark. Brosnan is an assassin who forces his friendship on Kinnear while both are in Mexico City working. They part ways when Kinnear won’t help him kill a man because his skills are on the fritz, but he turns up a year later at Kinnear’s home seeking his help because his recent failures have marked him for death. What hints at an unfulfilled, darker resolution is, not only has Kinnear grown the same mustache that Brosnan wears by this time, but also his wife is visibly excited to have a killer in their house. Now, in a real black comedy things should take a turn for the worse and somebody shouldn’t be alive for the final act, but the film goes utterly touchy-feely, especially in regard to Kinnear having lost his son in a school bus accident years before. Why is this even part of the story? It in no way shapes Kinnear or Hope Davis as his wife. Even at the beginning of the film, they are anything but your depressed-at-the-loss-of-a-child couple. In fact they’re about to have sex on the kitchen table and later have sex on the dryer. I have the feeling that, in an earlier draft, the loss of their son changed their views on life and death, which is why they don’t have any moral judgment on Brosnan. In fact, I’m sure in the original, Pierce Brosnan probably bedded Hope Davis and turned Kinnear into an assassin who either becomes his partner or kills and succeeds him. Not here though. Kinnear remains a nice guy to the end and Brosnan also has a last makes-no-sense-at-all touchy feely scene too. But I simply cannot hate a film that makes use of Asia’s “Heat Of The Moment” in
an assassination scene.
CHRISTMAS TIME IS HERE…
So the dog died on Christmas
Eve. Okay, I’m getting ahead of myself. For the first time in 18 months I went home. Not that I wasn’t going anyway, but both my father and my sisters let me know that there would be no peace if I didn’t come home this year. My mother, of course, said nothing. In any case, I estimated I could stay for at least five days. It seems like a lot, but was gone in an instant. Especially when you consider I have to give up one day at least to go to Alabama to visit relatives and I sleep away the first day, because I stayed up all night before I left (I had a 7:00 am flight, worked at the comic book store until 11:00 and because of the transit strike didn’t get home until almost 2:00). It was an interesting trip because my family finally displayed the aspects of a normal family---as in hostility and conflict---which is a far cry from the sitcom-like perfection I’ve known for almost 40 years. And to top it off, like some bad wannabe black comedy movie, one of the dogs dropped dead of an apparent heat attack on Christmas Eve. It was originally my sister’s dog, but when she was briefly home after college, my dad essentially took him from her and it’s been with him for the last eight years. He was actually in shock after finding the dog collapsed on the floor of the garage and just came in and said flatly, “I think your dog is dead. What do you want to do?” My sister wasn’t much better after seeing him, so this put me in the odd position of having to make decisions. He was still breathing, so we got him off the cold floor and took him inside, placing him in front of a small heater. His breathing improved so I called my brother, who was always a big animal person (at one point he had everything from dogs to rabbits to lizards in a small zoo inside his house) and was wired into the Atlanta animal scene. Though the dog was only nine years old, he informed me it was quite possible he’d just had a stroke. My sister then called a dog hospital and their emergency was still open so we put him in the back of my other sister’s Volvo wagon and headed off. Unfortunately, by the time we got there he was gone. My dad wanted us to bring him back to bury in the backyard, but my sister couldn’t handle putting him back in the car and driving back, so she footed the cremation bill and we left---stopping by her house to get her bottle of Jack Daniels before heading back to our parents’ home. After that my other sister didn’t bother to show up Christmas morning to unwrap presents, which cemented us as now, dysfunctional enough to be considered normal. That same morning, my sister and I made a quick trip to Alabama to see my grandmother and a few aunts and I’ll never get used to my cousins being possibly smarter and funnier than I am. They weren’t happy with our quick in-and-out visit, but it couldn’t be helped. I had to get back to get ready to leave. But while I was home I went through my comic book collection there and am going to sell off another 1500 comic books. However, my attempts at growth are continually offset by family and friends. Aside from my sister who held on to the little superhero action figures she got me for last Christmas (I’d put them on eBay except I like them too much), my buddy, O.G. (Original Geek) got me two new superhero t-shirt and a freaking Spider-man lamp (which, as we all know, women love to get naked to). But I got him a Batmobile and his baby daughter an Elektra Barbie (make her a sociopathic killer and give her an eating disorder), so I guess it’s balanced. I also babysat his little girl for a night so he and his wife could have dinner. She’s a very happy baby and was never happier than chasing me around the kitchen screaming at the top of her lungs. And while I thought my mom seeing the baby of a friend of mine might help me, it didn’t mitigate the simple fact that her oldest sister had just become a great-grandmother (my cousin in college knocked up his girlfriend) and her other sister was going to be a grandmother three times over in the span of six months---complete with a baby from my cousin who just got out of prison after 15 years. As the oldest, I’m back in the grandchild hot seat. But this is the piece de resistance of my trip. My dad has another mechanic helping him repair cars. He lives near my aunt so my dad had me come along when we drove him home. This guy did not have both oars in the water because during the trip, he just starts this monologue about his life, how he joined the army and---I shit you not--- how he could use the skills he learned there TO
BLOW UP HIS ENTIRE NEIGHBORHOOD! Maybe my dad had heard this a million times, because he didn’t react. After we dropped him off he invited my parents over in was that was pretty much a threat. Yes, there’s
no crazy like southern crazy.
ALL IS QUIET ON NEW YEAR’S
DAY…
So The French Woman (a
name utterly lacking in imagination, I know, but The Lunatic was
already taken and the humor in calling her Elizabeth Taylor would
only be funny to me) was in town for New Years and made it clear
she wanted to go out and that I should have a date. Anyone else I
could have simply refused, but I’ve known her for over 20 years (we
met my freshman year of college) and that does count for something,
even with me. I thought about the date thing, but came to the sad
realization that all my perma-dates that I’d normally call for such
an occasion were now all married with kids. This meant I was going
solo and simply had to try not to be too much of a fifth wheel alongside
her and her new boyfriend, who are in that early stage of passion
that pretty much annoys everyone who’s not also in it. Actually
my biggest problem was trying not to laugh when I saw how high up
her skirt would mysteriously be each time I returned from the bathroom.
Years ago we’d had a nice
New Year’s Eve dinner with her brother and his friends at La Bonne
Soupe---where she’d actually been going since her family came to
America---so that’s where we had dinner this time around. I love
La Bonne Soupe and never turn down an opportunity to eat there. I
just want to devour the entire menu. This time I had very nice filet
mignon and fries and proceeded to eat what she didn’t as well. Afterwards,
we had to escape midtown and find someplace that wasn’t delusional
enough to think they could bilk us for the “New Year’s Eve Special” especially
when the place was obviously empty. At least try to make a fucking
deal. It’s 10:00. You think I’m going to pay $75 for two hours?
Show some brains and try $30, which is only three drinks by man
Manhattan standards. But they didn’t so I took them to a trendy little
bar in my neighborhood called Fusion, which was thankfully empty.
We claimed a couch in the back and saw in the New Year with complimentary
hats, horns and a glass of decent champagne. I’d have to make it
marginally better than last year, when I drank a bottle of cheap
champagne by myself while watching Chronicles of Riddick. Marginally
because it’s
kind hard to beat a movie with Vin Diesel AND Judi Densch in outer space.
BECAUSE MICKEY ROONEY SIMPLY CANNOT BE KILLED
This isn’t recent, but Nicolette Larson died in 1997 of a brain embolism (same thing that killed Bruce Lee) and I never knew. That hurts me. I always liked her. So did Neil Young for whom she sang backup. He wrote “Lotta Love” for her. But Death didn’t take the holidays off, especially for obscure entertainers, taking Vincent Schiavelli, who was only 57. You know him from Fast Times At Ridgemont High as Mr. Vargas, the teacher with the hot wife, whereas I know him from The Adventures of Buckaroo Banzai Across the 8th Dimension as John O’Connor. And because I’m a geek, he was also the voice of Zatara, Zatanna’s father on Batman: The Animated Adventures. Also gone is “Blue” from Old School, so there’s
an opening for a dirty old man in movies.